Succession

Succession is a razor-sharp drama about the power struggles within the Roy family, who run a media conglomerate. It’s basically a modern Shakespearean tale, but with private jets, boardrooms, and some of the most cutting insults I’ve ever heard on TV. The show pulls you in immediately with its dark humor and icy detachment, but what really hooked me was watching all these deeply flawed, emotionally stunted characters vie for their father’s approval and their own slice of power.

What stood out is the writing—it’s acidic, funny, and painfully honest. The performances are top-notch, especially Brian Cox as the formidable Logan Roy, and Jeremy Strong’s committed, jittery take on Kendall. There’s a specific moment, in the finale of season two, where the tension is so thick you practically stop breathing, and scenes like those stick with you long after. The show manages to balance cringe-inducing awkwardness with genuine heartbreak, and it’s just as fascinating watching these people fail as it is watching them win.

On the downside, the unrelenting cynicism can feel exhausting after multiple episodes, and sometimes the characters’ nastiness tips into unbelievable. Unlike more optimistic shows, Succession’s world is pretty bleak—there’s not much hope for the Roys. Still, if you like your television sharp, witty, and unafraid to dig deep into family dysfunction, you’ll find it totally addictive.