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Movie
War
2h 3m

The Outpost

Released: July 2, 2020
Reviewed: 3 days ago
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ScreenR8 Rating
8.1/10
Excellent
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If you’re looking for a gripping, boots-on-the-ground war film that doesn’t rely on big-name stars or heavy special effects, The Outpost is one that really surprised me. It’s based on the true story of the Battle of Kamdesh in Afghanistan—a brutal fight for survival at a U.S. Army outpost that was basically impossible to defend. The movie feels claustrophobic from the very beginning, immersing you right into the daily tension and dangers faced by the soldiers stationed there.

What makes The Outpost stand out is how personal it gets with its characters. Instead of making everyone a generic “hero,” it spends time showing their quirks, hopes, and the real camaraderie (and occasional friction) between them. Scott Eastwood and Caleb Landry Jones in particular deliver raw, believable performances. You’re not just watching war unfold—you’re kind of dreading every minute for these guys you’ve just started to care about.

Cinematography here is surprisingly sharp. There are long, continuous takes during the climactic attack sequence that put you right in the thick of the firefight—shaky but not confusing, stressful but never exploitative. You sense the geography of this tiny, indefensible outpost, and that makes every incoming round terrifying. It’s a far cry from the glossy look of more Hollywood-ized war films.

There isn’t as much exploration of the political context or enemy fighters—so if you want an all-sides narrative, you might be left wanting. The script sometimes leans too heavily on military jargon, and a couple of side characters blend together amid the gunfire. But for sheer intensity and authenticity of combat, it’s among the best in its class from the last decade or so.

You would enjoy this if you liked movies like Black Hawk Down or 13 Hours but wished they focused more on real camaraderie and the true randomness of war. It hits hardest for anyone curious what being “out there” might really be like, without all the flag-waving or melodrama.

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