Found 2 results for cast member "Lucy Boynton"
This is a gothic detective mystery set at West Point in the early 1800s, starring Christian Bale as a weary investigator and Harry Melling as a young Edgar Allan Poe. The murder of a cadet pulls both characters into a dark and atmospheric web of secrets, and the film’s chilly, wintry setting gives everything a haunting, almost surreal vibe. It’s more slow-burn than thriller, with plenty of candlelit corridors and fraught conversations. What stood out most to me was the chemistry between Bale and Melling — seeing Poe reimagined as a morbid, clever, but earnest young man keeps things intriguing. The movie plays with literary history in a way that feels respectful and just theatrical enough. The supporting cast (Gillian Anderson, Toby Jones, Timothy Spall) add a lot of flavor, but it’s that sense of creeping unease, like you’re reading an old ghost story by firelight, that lingers after the credits. If you’re looking for an action-packed mystery or big twists every ten minutes, this might feel a bit too methodical. The pacing can drag in places, and not every subplot adds as much as it promises. But if you like atmospheric mysteries with strong period detail and a few shivery surprises, it’s absolutely worth a winter night’s watch—especially if you have a soft spot for Poe or literary detective tales.
Imagine if you mashed together a classic coming-of-age story with British New Wave music videos, and tossed in a lot of heart — that's basically Sing Street. Set in 1980s Dublin, it follows a teenage boy who starts a band to impress a girl, but winds up discovering a real sense of purpose and creativity. The film gets the ache and awkwardness of being a teen just right, and the original songs are genuinely catchy (I've still got "Drive It Like You Stole It" on my playlist). What really stands out is how naturally the movie captures the thrill of making music with your friends, and the escapist joy it can bring during tough times. The dynamic among the band members (especially between the protagonist and his quietly supportive older brother) feels lived-in instead of forced. The depiction of family tension and growing up in a rough economic time adds realism that tempers the sweetness, so it never gets saccharine. If there's a flaw, it's that some supporting characters could use a little more depth, and the ending might feel a bit too fairy-tale for some. Still, if you love stories about bands, underdogs, and that moment you realize music can change your life, you'd really enjoy this. It's not just for people who grew up in the '80s — the vibe is universal.